Michael LeRoy Photos

I have more photos by Ron Vogel than by any other photographer.  I also have a large number of photos by Michael LeRoy, from whom I was able to obtain a number of photos.  I modeled for LeRoy when I had black hair.  He was only a couple of years older than I was when our session occurred, and he was a novice photographer, having just finished his apprenticeship with Keith Bernard.  I’ve always remember our session as a “fun” session.  LeRoy was able to make me laugh.  Of the 80 or so photographs I have, these are the best ones.

L001)

This is the best LeRoy photo.  It appeared in Monsieur, 1964 and also in The Big Butt Book, 2010.  LeRoy gave me this photo on the evening after our photo shoot.

This is the best LeRoy photo. It appeared in Monsieur, 1964 and also in The Big Butt Book, 2010 and The Little Book of Butts, 2013. LeRoy gave me this photo on the evening after our photo shoot.

L002)

This is a close-up that was taken in the same bedroom as L001.  It was never published.

This is a close-up that was taken in the same bedroom as L001. It was never published.

L003)

This is the same photo as L002 which was colorized by Old Iz New (oldiznewagain).

This is the same photo as L002 which was colorized by Old Iz New (oldiznewagain).

L004)

Here I am still in that bedroom, this time kneeling.  Another unpublished photo.

Here I am still in that bedroom, this time kneeling. My boobs are clearly visible under the sheer top.   Another unpublished photo.

L004a)

Almost forgot this photo, another one where I a kneeling on the bed.  This time LeRoy had me lift the  frilly top to show off my boobs.  This one was never published either.

Almost forgot this photo, another one where I a kneeling on the bed. This time LeRoy had me lift the frilly top to show off my boobs more prominently. This one was never published either.

L005)

LeRoy took a number of photos of me with a hat.  This is one of the best.  My breasts look good but the nipples are hidden.  Another unpublished photo.

LeRoy took a number of photos of me with a hat. This is one of the best. My breasts look good but the nipples are hidden. Another unpublished photo.

L006)

Here is another hat photo, this time with my full breasts showing.  My face is nice but my breasts are on an angle because my feet are on an angle (not on the same step).

Here is another hat photo, this time with my full breasts showing. My face is nice but my breasts are on an angle because my feet are on an angle (not on the same step).

L007)

Another hat photo quite similar to L006.  Here my breasts look better because my feet are on the same step.  A version of this one was published in Monsieur, 1964.

Another hat photo quite similar to L006. Here my breasts look better because my feet are on the same step. A version of this one was published in Monsieur, 1964.

L008)

This is another of LeRoy's best photos.  It is exceptionally well focused.  (Sometimes LeRoy's photos are just a bit off-focus, probably because he was a notice photographer.  This close-up is dead-on, with an excellent visual of both my face and my breasts.  Highlights in my hair from the sun add to the total look.

This is another of LeRoy’s best photos. It is exceptionally well focused. (Sometimes LeRoy’s photos are just slightly off-focus, probably because he was a notice photographer.) This close-up is dead-on, with an excellent visual of both my face and my breasts. Highlights in my hair from the sun add to the total look.  This photo was never published.

L009)

This one was taken in the same selling as L008, but here you can see that I was sitting on a log.  This one is also well-focused, and the sun is still highlighting my hair.

This one was taken in the same setting as L008, but here you can see that I was sitting on a log. This one gives a good view of my breasts, and the sun is still highlighting my hair.  Never published.

L010)

Another nice photo of me with the logs.  Nice smile, nice view of my breasts.  This is a square photo -- 8

Another nice photo of me with the logs. Nice smile, very nice view of my breasts. This is a square photo — 8″ x 8″.  Never published.

L011)

Here I am standing beside a tree.  This is another extremely well-focused photo.  I also have cropped the photo so that it shows only my face and part of my arm.  That photo is shown as A009.  This one was unpublished.

Here I am standing beside a tree. This is another extremely well-focused photo. I also have cropped the photo so that it shows only my face and part of my arm. That cropped photo is shown as A009. This one was unpublished.

L012)

This photo focused on my legs and butt, although there is a bit of my nipple also in view.  It is one of several that were taken on a bench in front of a large window.

This photo focused on my legs and butt, although there is a bit of my nipple also in view. It is one of several that were taken on a bench in front of a large window.  Never published.

L013)

Another bench photo.  This one was published as a small thumbnail photo in Monsieur, 1964.

Another bench photo, again focusing on my butt, with just the corner of my nipple showing. This one was published as a small thumbnail photo in Monsieur, 1964.

L014)

A very similar photo to L013 with my head at a different tilt.  Never published.

A very similar photo to L013 with my head at a different tilt and using a brighter flash light.   Never published.

L015)

Still on the bench, this one with a view from the front.  Never published.

Still on the bench, this one with a view from the front. Never published.

L016)

Now in the front room of the house, here is still another photo of me with my legs up and corner of my nipple showing.  Never published.

Now in the front room of the house, here is still another photo of me with my legs up and corner of my nipple showing. Never published.

L017)

Still on the sofa, this time with my legs stretched.  This is one of three photos that LeRoy gave to me after the modelling session.  Unfortunately the face in this photo is out of focus, although the legs and butt look good.

Still on the sofa, this time with my legs stretched. This is one of three photos that LeRoy gave to me after the modelling session. Unfortunately the face in this photo is out of focus, although the legs and butt look good.  Never published.

L017a)

A copy of L017 above colorized by OLD IZ NEW.

A copy of L017 above colorized by OLD IZ NEW.

L018)

Here I am sitting on the sofa, a full nude.  This photo was never published.

Here I am sitting on the sofa, a full nude. This photo was never published.

L019)

A very attractive photo taken on the floor in that front room.  I'm wearing panties but my breasts look good,  Never published.

A very attractive photo taken on the floor in that front room. I’m wearing panties but my breasts look good.  LeRoy was mainly using window light for this photo.  Never published.

L020)

Still sitting on the floor, this time fully nude.  It's one of the few photos where I'm not looking at the camera.  Never published.

Still sitting on the floor, this time fully nude. It’s one of the few photos where I’m not looking at the camera. Never published.

L021)

Another photo of me fully nude sitting on the floor.  If I look a bit

Another photo of me fully nude sitting on the floor. If I look a bit “thick” around the middle it’s because I am twisted — the bottom half pointed one way and the top half the other way. Never published.

L022)

Another photo of me sitting on the floor.  This time LeRoy used only window light and no flash fill, so there are lots of interesting shadows.  Never published.

Another photo of me sitting on the floor. This time LeRoy used only window light and no flash fill, so there are lots of interesting shadows. Never published.

L023)

This is another one that was taken using window light only.  A small copy of this one was published in Monsieur, 1964.

This is another one that was taken using window light only. A small copy of this one was published in Monsieur, 1964.

L024)

LeRoy took a number of photos of me on or near a round wooden table.  The frilly pants were his.  One of the set was published in Monsieur, 1964, but not this one.

LeRoy took a number of photos of me on or near a round wooden table. The frilly pants were his. One of the set was published in Monsieur, 1964, but not this one.

L025)

Another photo of me with that round table, this time leaning on it.  This photo was never published.

Another photo of me with that round table, this time leaning on it. This photo was never published.

L026)

Here I am sitting on the ground beside the round table.  Again, this was never published.

Here I am sitting on the ground beside the round table. Again, this was never published.

L027)

LeRoy took a group of photos of me sitting on pillows on a sidewalk.  None were every published.  In this one, I had a scarf on my head but was wearing nothing else.

LeRoy took a group of photos of me sitting on pillows on a sidewalk. None were every published.  This is one of the three photos that LeRoy gave me following our modelling session.

L028)

Another photo with the scarf, this time with my eyes looking directly into the camera.

Another photo with the scarf, this time with my eyes looking directly into the camera.

L029)

Here I am curled up on the pillows on the sidewalk.  Again, never published.

Here I am curled up on the pillows on the sidewalk. Again, never published.

L030)

Here I am stretched on the pillows.  Never published.

Here I am stretched on the pillows. Never published.

L031)

LeRoy also took several photos of me standing up on a ledge.  Three were published in Monsieur, 1964, although this one was not among them.  However, a very similar color photo was published in the magazine.

LeRoy also took several photos of me standing up on a ledge. Three were published in Monsieur, 1964, although this one was not among them. However, one very similar to this one but in color was published.

L032)

This is another photo of me on that ledge.  I'm wearing a red baby doll.  A copy of this one was published in Monsieur, 1964 as a thumbnail photo.

This is another photo of me on that ledge. I’m wearing a red baby doll. A copy of this one was published in Monsieur, 1964 as a thumbnail photo.

L033)

LeRoy took a number of photos of me in front of a fireplace that were never published.  He supplied the costume.

LeRoy took a number of photos of me in front of a fireplace that were never published. He supplied the costume.

L034)

Here is another one of the fireplace photos.  Again, never published.

Here is another one of the fireplace photos. Again, never published.

L035)

This is a great fireplace photo, except, as you can see, LeRoy clipped off the toes on my left foot.  Never published.

This is a great fireplace photo, except, as you can see, LeRoy clipped off the toes on my left foot. Never published.

L036)

This is a close-up in the Fireplace series.  My eyes and face are quite similar to the first photo in this series (L001).

This is a close-up in the Fireplace series. My eyes and face are quite similar to the first photo in this series (L001).  The arm is just a bit different so you can see my left nipple in this photo.

L037)

LeRoy took a series of photos in a kitchen.  He actually published on (a close-up) in Men's Digest -- a magazine that didn't show full breasts.  This photo -- L038 -- does show my full breast.  In fact my body looks quite good in this one.  However, you can see all the errors that LeRoy -- a novice photographer -- made here.  From the garish panties he had me wear (too tight, as you can see), to the ridiculously cluttered background.

LeRoy took a series of photos in a kitchen. He actually published one (a close-up) in Men’s Digest — a magazine that didn’t show full breasts. The above photo does show my full breasts. In fact my body looks quite good in this one. However, you can see all the errors that LeRoy — a novice photographer — made here. From the garish panties he had me wear (too tight, as you can see), to the ridiculously cluttered background.  Worthwhile adding to the album just to show how a photographer can ruin a good photo by not paying attention to the background.

 

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